The 1993 film hit Clueless, written and directed by Amy Heckerling, exemplifies how design culture reappropriates Austens novel Emma into our own era by exploiting the coeval medium of film. It is by looking at the modern sidereal day equivalents or changes in each text edition we mark the severalise values of these starkly different worlds Emma is set in the village of Highbury, a rural representation of early 19th century Engish life. In this society England marriage was used to number alliances, contract financial security and climb the social ladder. However, Emma, the heroine of the novel, feels no need to make a good match in gear up to secure her future; a whiz char, of good fortune, is forever respectable, and may be as sensitive and pleasant as anybody else She need not fear go an impoverished gray maid, like Miss Bates or an courteous young woman like miss Fairfax who must draw to escape last as a governess. Emma, a gentlemans daughter, is a member of the f number echelons of the gentry, who can afford to tie for love. Clueless is set in the of late twentieth century, multicultural Beverly Hills, USA. Wealth, appearance and social connections( as unconnected to present and family connections) be the criteria for social status and respect.
These elements are furthermost easier to alter than birth and thus, movement between classes is also easier ( as proved by Tai, whose popularity rises beyond Chers). This makes marriage a faraway less chief(prenominal) aspect of living, reflected in Clueless. Marriage is no longer interpreted as seriously(as shown by the numerous marriages of Mel). trance ! sex, or everyday romances have replaced marriage, a reflection on changing values, the text can be seen as essentially conservative. Cher is saving herself for Luke Perry. A similar theme of the two texts... If you want to flap a full essay, order it on our website:
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